Raised in Captivity
Fictional Nonfiction
Lavin Exclusive Speaker
Pop culture, in all its distracting glitz, isn’t just entertainment. It is culture—American culture. And our most insightful guide is Chuck Klosterman. In his bestselling, culture-defining books, he’s pinned down modern America like no one else. And in fun, funny talks, he not only cuts to the bone of our media-saturated moment, but makes it the site of our shared, unlikely commonality.
One of the most exciting cultural critics of our time, Chuck Klosterman is not a detached academic who deconstructs culture at arm’s-length with a deadening sterility. He’s a regular guy whose intellectual curiosity is insatiable, infectious, and surprisingly insightful—showing why “pop” is a conversation that anyone can join in on, and capturing what it feels like to navigate our weird, wired, pop-obsessed moment right now.
He is the best-selling author of eight nonfiction books (most notably Sex, Drugs and Cocoa Puffs and I Wear the Black Hat) and two novels (Downtown Owl and The Visible Man). In July of 2019, Klosterman will release Raised in Captivity, a new collection of “stories so true they had to be wrapped in fiction for our own protection.” Klosterman describes Raised in Captivity as “a fever graph of our deepest unvoiced hopes, fears and preoccupations.” His most recent collection, Chuck Klosterman X, compiles and contextualizes the best of his essays from the past decade, with pieces written on Breaking Bad, Lou Reed, zombies, KISS, Jimmy Page, Stephen Malkmus, steroids, Mountain Dew, Chinese Democracy, The Beatles, Jonathan Franzen, Taylor Swift, Tim Tebow, Kobe Bryant, Usain Bolt, Eddie Van Halen, Charlie Brown, the Cleveland Browns, and many more cultural figures and phenomena. His previous book—debuting in its first week on The New York Times bestsellers list—is But What If We’re Wrong?: Thinking About the Present As If It Were the Past. It’s both an earnest attempt to speculate on what, and how, our culture might transform over time, and a rational inoculation against the dangers of assumption. It dispels the “casual certitude” of our era by imagining what culture might look like 100, 300, or even 1,000 years from now.
Klosterman has written for The Washington Post, The New York Times, SPIN, Esquire, GQ, The Guardian, The Believer, Billboard, The Onion AV Club, and ESPN. He served as The Ethicist for The New York Times Magazine for three years, where he dispensed uncommon wisdom on moral conundrums, and appeared as himself in the LCD Soundsystem documentary Shut Up and Play the Hits. He also created the web site Grantland with Bill Simmons. He is a native of North Dakota and currently lives in Brooklyn with his wife (Entertainment Weekly TV critic Melissa Maerz).