“It is staggering that there is no date commemorating the end of slavery in the United States,” says Annette Gordon-Reed, the first African-American recipient of the Pulitzer Prize for History and one of the most authoritative voices on race and history in America. In talks based on her instant New York Times bestseller On Juneteenth, Gordon-Reed weaves together American history, dramatic family chronicle, and searing episodes of memoir, to reveal the country’s most important story that was never told.
“A brilliant book…It marks the author as one of the most astute, insightful, and forthright historians of this generation.”— New York Review of Books, on The Hemingses of Monticello
Annette Gordon-Reed is a Professor of History in the Faculty of Arts and Sciences at Harvard University, the Carl M. Loeb University Professor at Harvard Law School, and the award-winning author of six books. Her latest book, On Juneteenth, sets out to capture the integral importance of the holiday to American history. “It is staggering that there is no date commemorating the end of slavery in the United States,” says Gordon-Reed.
In her earlier piece “Growing Up with Juneteenth,” written for The New Yorker, she recounts how the Texas holiday became a national tradition: “When I was a little girl, in Texas, I thought Juneteenth belonged to us, meaning to the state of Texas generally and to Black Texans specifically,” she starts, before going on to recount the disconnect between “freedom” in legal terms versus lived reality, the unfulfilled promise of the Declaration for Black Americans, and the horrors they have had to endure even after the Emancipation Proclamation. Impassioned, moving, and articulate, On Juneteenth is an even deeper, more personal recollection—a captivating blend of memoir and history that explores the violence and oppression that preceded and followed this celebration, what it means to us now, and how it relates to our larger fight for equality.
Gordon-Reed is also the author of The Hemingses of Monticello: An American Family, which won the Pulitzer Prize in history and the National Book Award for nonfiction—along with fourteen other awards. It explores the inconsistencies of Jefferson’s stance on slavery and his relationship with enslaved woman Sally Hemings, and has been called “the best study of a slave family ever written” by noted Jefferson scholar Joseph Ellis. Her other books includeThomas Jefferson and Sally Hemings: An American Controversy—a rich examination of scholarly writing on the relationships between Jefferson and Hemings, which exposes the possibility that scholars were misguided by their own biases and may even have contorted evidence to preserve their preexisting opinions of Jefferson. Her other book, “Most Blessed of the Patriarchs”: Thomas Jefferson and the Empire of the Imagination, presents a provocative character study of Jefferson that challenges much of the scholarly status quo on his portrayal throughout history. Gordon-Reed’s upcoming title, A Jefferson Reader on Race, is set to be published in early 2020.
Her honors include the National Humanities Medal (awarded by President Barack Obama), a Guggenheim Fellowship, and a MacArthur Fellowship. Gordon-Reed was also elected a Fellow of the American Academy of Arts and Sciences, and is a member of the Academy’s Commission on the Humanities and Social Sciences. In 2019, she was elected a Member of the American Philosophical Society.
“I’ve been remiss! Close to a month after the event, Annette’s voice and words still resonate. I’m still getting compliments on the wisdom of my choice of speakers. Her historical knowledge is of course deep and impeccable, and she has the magic touch when it comes to sharing that knowledge in such a way that real enlightenment comes to those who are not scholars or specialists. Annette's talent for engaging a variety of minds with the full weight of her expertise but without condescension or abstraction made the panel discussion a memorable highlight of the evening. Overall, Annette was an exceptional choice for us, and I’m grateful to Lavin for being instrumental in making it happen.”Dallas Institute of Humanities and Culture