Theoretical Physicist and Novelist
An award-winning novelist (Einstein's Dream) and a theoretical physicist, Lightman's new book, The Accidental Universe: The World You Thought You Knew, is "a thoughtful, straightforward collection of essays [on modern physics and philosophy] that invite readers to think deeply about the world around them." (Publishers Weekly, starred review.) He is also the author of the novel Mr g, which tells the story of Creation from the perspective of God. Lightman taught at Harvard, and is one of the first people to receive a dual faculty appointment, in science and in the Humanities, at MIT, where he is Professor of the Practice of the Humanities. The New York Times praises him as "a scientist in love with words, one who can write clearly and appealingly about his subject for a lay readership."
Albert Einstein and Relativity
In this lecture, Alan Lightman discusses the life of Albert Einstein, using some of the personal letters Einstein himself wrote, and then presents the theory of relativity in layman’s terms, with colorful illustrations. This talk draws on the many articles Lightman has published about Einstein and his work.
Surviving in the Wired World
In this lecture, Alan Lightman discusses the way in which much of modern technology has created a virtual reality that has robbed us of immediate experience with the world and has also contributed to an increasing pace of life that prevents us from much-needed personal reflection. Lightman does not view technology as having intrinsic values: it’s how we human beings use technology—at the level of the individual—that gives it values, good and bad. He discusses ways to adapt to our technological society while preserving our humanity. This talk draws from Lightman’s published articles on technology and also from his novel The Diagnosis, which was a finalist for the National Book Award.
The Physicist as Novelist
In this lecture, Alan Lightman draws on his unique personal experience as both a physicist and a novelist to discuss the similarities and differences in the way that the sciences and the arts approach the world, their different conceptions of truth, their different methodologies, and the similarities in their creative process. For example, all questions in science have definite answers, while questions in the arts (and often the humanities) do not have definite answers—and sometimes no answer at all.
Science and Religion
In this lecture, Alan Lightman first surveys some high points in the history of science that bear upon philosophical, theological, and ethical issues. The general trend of science over the centuries has been to enlarge the domain of what we call the “physical universe,” and to develop a purely material and rational explanation for the phenomena of the physical universe. Lightman then turns to religion and discusses the kinds of questions that intersect both religion and science, versus the kinds of questions that lie firmly in one domain or the other. He discusses the form of religious beliefs that is compatible with science, and the fact that science and religion have different kinds of knowledge and different methods of obtaining that knowledge. Finally, Lightman discusses his view that, in a sense that he defines, a “spiritual universe” exists in addition to the physical universe, although the former does not necessarily include what we call God. This talk draws from some of the essays in Lightman’s recent book The Accidental Universe.
The Great Discoveries of Science
Drawing on his studies of important 20th-century discoveries in physics, biology, and chemistry—published in his book The Discoveries—Lightman describes some of the great scientific achievements and the men and women behind them. Is there a common scientific personality? Is there a common background of great scientists? He also describes the creative process in science and looks for patterns of creativity and discovery revealed in his study.
The Accidental Universe: The World You Thought You Knew
Alan Lightman brings a light touch to heavy questions. Here is a book about nesting ospreys, multiple universes, atheism, spiritualism, and the arrow of time. Throughout, Lightman takes us back and forth between ordinary occurrences—old shoes and entropy, sailing far out at sea and the infinite expanse of space.
"As I remember, I had just woken up from a nap when I decided to create the universe." So begins Alan Lightman's playful and profound new novel, Mr g, the story of Creation as told by God. Barraged by the constant advisements and bickerings of Aunt Penelope and Uncle Deva, who live with their nephew in the shimmering Void, Mr g proceeds to create time, space, and matter. Then come stars, planets, animate matter, consciousness, and, finally, intelligent beings with moral dilemmas. Mr g is all powerful but not all knowing and does much of his invention by trial and error.
Even the best-laid plans can go awry, and Mr g discovers that with his creation of space and time come some unforeseen consequences-- especially in the form of the mysterious Belhor, a clever and devious rival. An intellectual equal to Mr g, Belhor delights in provoking him: Belhor demands an explanation for the inexplicable, requests that the newly created intelligent creatures not be subject to rational laws, and maintains the necessity of evil. As Mr g watches his favorite universe grow into maturity, he begins to understand how the act of creation can change himself, the Creator. With echoes of Calvino, Rushdie, and Saramago, combining science, theology, and moral philosophy, Mr g is a stunningly imaginative work that celebrates the tragic and joyous nature of existence on the grandest possible scale.
An imaginary re-creation of Einstein's discovery of the nature of time, this novel takes us through the young patent clerk's many dreams depicting compelling conceptions of time.
An extraordinarily accessible, illuminating chronicle of the great moments of scientific discovery in the 20th century, and an exploration into the minds of the remarkable men and women behind them. We know and read the literary masterpieces; how many of us have had the opportunity not only to read but understand the masterpieces of science that describe the very moment of discovery? The last century has seen an explosion of creativity and insight that led to breakthroughs in every field of science: from the theory of relativity to the first quantum model of the atom to the mapping of the structure of DNA, these discoveries profoundly changed how we understand the world and our place in it.
Alan Lightman tells the stories of two dozen breakthroughs made by such brilliant scientists as Einstein, Bohr, McClintock and Pauling, among others, drawing on his unique background as a scientist and novelist to reveal the process of scientific discovery at its greatest. He outlines the intellectual and emotional landscape of each discovery, portrays the personalities and human drama of the scientists involved, and explains the significance and impact of the work. Finally, he gives an unprecedented and exhilarating guided tour through each of the original papers.
From the bestselling author of Einstein's Dreams comes this harrowing tale of one man's struggle to cope in a wired world, even as his own biological wiring short-circuits. As Boston's Red Line shuttles Bill Chalmers to work one summer morning, something extraordinary happens. Suddenly, he can't remember which stop is his, where he works, or even who he is. The only thing he can remember is his corporate motto: the maximum information in the minimum time.
Bill's memory returns, but a strange numbness afflicts him. As he attempts to find a diagnosis for his deteriorating illness, he descends into a nightmarish tangle of inconclusive results, his company's manic frenzy, and his family's disbelief. Ultimately, Bill discovers that he is fighting not just for his body but also for his soul.
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